Horror Writers Are Terr……ibly Well Adjusted, Actually.
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| Exhibit A: Me, super average, so not scary |
Ah, the image of the horror
writer: shaved head, scraggly goatee, eyes chock full of madness, itchy teeth
that are just ready to rip right into you.
Oh wait, that’s Shel Silverstein.
OK, then how about Stephen King?
He looks scary, right? Well,
maybe if you’re afraid of accountants.
Really, I can’t think of a single horror writer who looks the part, or
acts it. In fact, we horror writers are
a pretty normal bunch who just happen to enjoy writing things that terrify the
ever loving crap out of you. Then why do
we do it? Why do these seemingly average
people want to write about ghosts and zombies and blood and guts? Because we are scared, just like the rest of
you, and this is how we deal with it.
We take the things which scare us and make them supernatural
and therefore impossible, or at least less likely. Scared of serial killers? Then make them supernatural guys who can kill
you in your dreams, or only if you are visiting Camp Crystal Lake. Scared of disease? Then how about a disease that makes you
immortal, with some caveats, or makes you a superhuman wolf monster. Scared of society collapsing? Well, instead of looters and cannibals and
rapists, oh my, let’s have slow moving creatures that are already dead, therefore
it is perfectly OK to kill them, recommended even. Scared of invasion? Aliens.
You get the picture. By adding
this extra layer of implausibility around that which we fear we are able to
keep it at a distance, and therefore sleep at night.
But sometimes we do write about the things that scare us; serial
killers and disease and collapse.
Sometimes we don’t include the supernatural. Sometimes we face our fears head on. Sort of.
When we have serial killers in fiction, they are brilliant Lecterish
madmen with a twisted code of honor who kill you before creating artistic
displays with your body. Or they are
mindless Shatner mask wearing killing machines with no real sense of
anything. They aren’t your neighbors or
co-workers or that uncle that let you taste his beer. And the people they kill are never really
You. The victims in fiction are never
the people you would associate yourself with.
They are always someone who is somehow inferior to you, intellectually
or morally. They are the babysitter who
ran up the stairs instead of out the front door. The jock who checks to see what that noise was,
leaving the relative safety of the group.
The lovers who’s tryst in the woods sealed their fate. The kids who are drinking or doing
drugs. The guy who’s being an obnoxious
jerk when we are all trying to get along and kill the zombies. If We were in Their position, We would have
done something differently, and therefore lived. As the recent movie Cabin in the Woods so brilliantly and subtly points out, They
deserved to be killed. We need Them to
deserve to be killed so that we can get a thrill out of it without feeling
guilty. And so we can know with
certainty that They are not Us.
Finally, sometimes we just go ahead and become the things we
fear. Vampires were once rotting corpses
that gorged on blood. Werewolves were
fearsome out of control beast who killed and ate the people they loved. Ghosts were miserable wraiths who haunted you
to madness. These were once the things
we feared. Now they are beautiful aristocratic
lovers, noble people who become majestic beasts, departed souls who just need
to take care of one last thing before they go.
We’ve turned the monsters of the past into sparkly demigods and super heroes
who can control themselves in hulk/beast form and lost loves who will help you
make some pottery because we no longer want to fear them, we want to be them.
And of course you read our stuff because, like us, you want
a thrill, albeit a safe one. You want to
be scared in a way that you can rationalize and say to yourself ‘You’re being
ridiculous, just go to sleep’, ‘That can’t really happen’ or at the very least
‘That wouldn’t happen to me’. You don’t
want to be scared in a way that will mess you up for life. You want that layer of implausibly, that
safety net of unlikeliness. And so you
read our work, and while we are exorcising our demons in ink you are doing the
same, and together we are being thrilled but coming out the victor instead of
the victim. We are helping you confront
your own fears as we confront our own, a kind of group therapy. In a way, we are acting as a surrogate psychiatrist. Now I’m afraid your hour is up. That’ll be $300.
Marcus Caine was born in a small town in Texas and he hasn’t completely recovered from that. When he’s not stuck at the day job he likes to read just about everything, write horror books and short stories, plan for the zombie apocalypse, and try new beers. Sometimes he manages to do all those things at the same time.
Want a vicarious thrill? Try out his book Meme or his short stories The Body or The Remington.
Want a vicarious thrill? Try out his book Meme or his short stories The Body or The Remington.
Horror Writers Are Terr… …ibly Well Adjusted, Actually - Guest Post From Author Marcus Caine
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Reviewed by Unknown
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